Brazilian dancers and Samba in Chicago: in the limits of the other expectations
Keywords:
cultural migration, brazilian dance, colonialism and exoticism, global marketsAbstract
Based on the history of Taís, samba player and Brazilian dance business in Chicago, this article reflects on the ways in which samba and Brazilian samba players are transformed to meet the perspectives and expectations of consumers and agents that make up the Brazilian cultural market in the city. . Immigrant since the mid-1980s, Taís circulates through the “Midwest” rebuilding and negotiating samba with different clienteles and learning about the possibilities and limits of the exotic. Not body-by-body dedicated to market conquest and reconfirmation -- and eager to reconcile what pleases the other with its own understanding and experience of Brazil -- new ideas of Brazil and Brazilianness only built and disseminated in the United States.
Downloads
References
• Beserra, Bernadete (2007), “Sob a sombra de Carmen Miranda e do carnaval: brasileiras em Los Angeles.” En: Cadernos Pagu, núm. 28, janeiro/ junho, Brasil: Universidade de Campinas.
• Beserra, Bernadete (2011), “The reinvention of Brazil and other metamorphoses in the world of Chicago Samba”. En: Vibrant, núm. 8, janeiro/junho, Brasil: Associação Brasileira de Antropologia.
• Beserra, Bernadete (2012), “Samba in Chicago: Escaping Hegemonic Multiculturalist Boundaries”. Latin American Perspectives, núm. 39, May, EUA: Sage Pub.
• Bhabha, Homi (1994), The Location of Culture, London and New York : Routledge.
• Bourdieu, Pierre (1998), A escola conservadora: as desigualdades frente à escola e à cultura. En: Nogueira, Maria Alice e Catani, Afrânio (Coords). Escritos de Educação. Petrópolis: Vozes.
• Garcia Canclini, Nestor (1998), Culturas Híbridas. São Paulo, Brasil: EDUSP.
• Machado, Igor J. R (2004), Estado-nação, identidade-para-o-mercado e representações de nação. Revista de Antropologia, núm. 47, São Paulo, Brasil: USP.
• Margolis, Maxine (1994), Little Brazil - An Ethnography of Brazilian Immigrants in New York City. Princeton, NJ, EUA: Princeton University Press.
• Ramos-Zayas, Ana Y (2008), Between ‘Cultural Excess ‘and Racial ‘Invisibility’: Brazilians and the Commercialization of Culture in Newark”. En: Clemence Jouet-Pastré and Letícia Braga (Coords) Becoming Brazuca: Brazilian Immigration to the United States. Págs. 271-286. Cambridge, EUA: DRCLAS/Harvard University.
• Ribeiro, Gustavo (1997), Street Samba: Carnaval and Transnational Identities in San Francisco. IV Conferencia da Brazilian Studies Association, Washington, DC, November.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2014 Bernadete Beserra
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Usted es libre de:
- Compartir — copiar y redistribuir el material en cualquier medio o formato
- Adaptar — remezclar, transformar y construir a partir del material
- La licenciante no puede revocar estas libertades en tanto usted siga los términos de la licencia
Bajo los siguientes términos:
- Atribución — Usted debe dar crédito de manera adecuada , brindar un enlace a la licencia, e indicar si se han realizado cambios . Puede hacerlo en cualquier forma razonable, pero no de forma tal que sugiera que usted o su uso tienen el apoyo de la licenciante.
- NoComercial — Usted no puede hacer uso del material con propósitos comerciales .
- No hay restricciones adicionales — No puede aplicar términos legales ni medidas tecnológicas que restrinjan legalmente a otras a hacer cualquier uso permitido por la licencia.